A spec spot done for Gillette that covers the history of the male beard. From the ancient warriors, to medieval blacksmiths, to the early pioneers, all men have been searching for the perfect shave.
Director & Producer - Savva Svet Director of Photography - Alberto Mojica 1st AC - Flemming Laursen Gaffer - Eric Gentry Weeks Grip/Swing - Bona Weiss Editor - Savva Svet Colorist - Flemming Laursen & Savva Svet Music : Five Families by Ryan Taubert Copywriter: Alex Harvey VO Artist: Barry Zate
A special thanks to The Red Mill Museum & Alias Costume Rental
We're a fan of club promos. Short, sweet, to the point and always energetic. But this time we wanted to go for a more "high-concept, cinematic" approach, create a mini-short film. No better club to do this for than NYC's biggest club, WEBSTER HALL, for their biggest night of the year, HALLOWEEN.
Client: Webster Hall
Production Company: SAS Productions & Rockaway Media Group
Director: Savva Svet Producer: Mark Khaimov Co-Writer: Michael Buksov Director of Photography: Alberto Mojica Steadicam Operator: Rob G. Christman Grip: Bona Weiss Make up Artist: Faina Rudshteyn Sound Designer/Mixer: Alexandru Grecu Colorist: Derek Morrison
A big thank to all who participated!
Collaborating with agencies and clients has never been a problem for me, but as a filmmaker it's important to find some time for personal work.
I went for a drive upstate to the Catskills Mountains for a weekend retreat. The end result is this 3 minute "nonverbal, guided mediation" inspired by Ron Fricke's Baraka and Samsara, entitled "Bodhi".
People have asked me, why the name "Bodhi"? Bodhi is the name of the tree under which the Buddha gained enlightenment. I felt this piece reflects that tone.
Michael Stearns - Life In The Gravity Well
Matthais Summer Collection
I've done the Matthais show last year, for the bikini collection. This time around, I wanted to incorporate more of the runway into the final video.
Grabbing a few sound bites from models, make up artists and the designer was great for the final edit as well. Slowly but surely, I'm getting this fashion show coverage down to a science.
Matthais Summer Wear Collection 2014
David Foster's Boy Band
16-time Grammy winner David Foster asked me to shoot and put together a small teaser of a boy band who was managing. Mr. Foster was creating an industry event for musicians and singers alike, and wanted this boy band to be the performance act of the night.
After putting together this video, David sent it over to the "people in charge" and they loved the video and the boys and locked them in to perform that night.
Glad to be a part of it.
David Foster's Boy Band
A trailer to my award winning short film, Confession. Set during the second world war, Confession follows a German soldier who, after the lose of his son, tries to help a Jew escape into safety.
Shot in just 4-days, the film went on the win the prestigious National Board of Review award, the audience choice award at the NY NewFilmmakers festival and was selected to screen at various short film festivals in Europe.
Confession Trailer (2012)
Here's a spec commercial done for Doritos for their "Crash the Superbowl" contest back in 2012.
Shot during the weekend of hurricane Sandy, I was determined to make this project happen, even after all the turmoil caused by the hurricane. So we left our flooded basement for the weekend and drove upstate in the Catskills mountains where we shot this spot.
*Jumping into a freezing cold pond, take after take, is not recommended.*
Doritos® The Big Catch
I was called upon to shoot a swimwear fashion show at EVR in NYC. At first, I was a bit hesistant in accepting the gig as I felt the fashion show style of shooting doesn't really give me flexible in expressing myself creatively.
After talking to the designer (Matthias) and his team they allowed me full creative control. So instead of doing the locked-off shots on a tripod following the models walking up and down the runway, I decided to spice things up.
Take a look.
Music: Calvin Harris : I Need Your Love
Matthias 2013 Swimwear Fashion Show
I always enjoyed watching make up artists transform a model right in front of your eyes. For this project, the make up artist (Antonina Spring) transformed the model (Stefanyia Yurchenko) into a water fairy.
Although I believe time-lapse photography has been over used in the past few years, I felt this project was the perfect "excuse" to use such a technique.
Madonna : Girls Gone Wild
Water Fairy Body Paint
Got a hold of the Sony FS-700 and wanted to test out its slow motion capabilities. A buddy of mine trains at LA Boxing and I thought it would be a good idea to take him and the camera "for a run".
I realized that 120fps, let alone 240 fps, was to slow for some of the shots. So I stuck with 60fps. Also, shooting at those higher frame rates required more lighting, which unfortunately I did not have (hence the grainy shots on some of the interiors). But overall, I was impressed with the camera, the way it handles highlights and its ability to shoot 240fps at HD.
Yet another personal work of mine.
A trip to Los Cabos was both relaxing and inspirational. While staying at Lover's Beach for just a few hours I put this piece together. The next day there was a low-tide and people were able to walk to the famous "Arch" in Los Cabos.
If only I had know!
Music : Trentemoller - The Very Last Resort
A Rusted Touch
A Rusted Touch
Inspired by the great Bruno Aveillan, this piece is more of a test really.
Experimenting with various in camera effects, filters, diopters, broken glass, was a real treat.
It's projects like these where you are being pushed creatively. It's hard to sell such a style and look to a client; playing with a broken Coke bottle in front of the lens on set as the client looks over your shoulder doesn't look all that "professional". But doing these little side projects, at the very least, allows me to push this type of "look" to a perspective client.
As for the name, Cankama translates to "walking meditation".
Music - Sysyphe : Sinking
Here's a look back at one of my earlier works.
This was a short film submitted to the Quentin Tarantino Emerging Artists competition. The film went on the win the "Audience Choice Award" as it came in 3rd place.
The rules were to use 30 seconds of footage from the trailer, and music (that they supplied) and make a film around Django.
Having read the script before the film's release, I decided to make a so called "sequel" to Django. If you've seen the film, you might appreciate it more.